4/30/2023 0 Comments The who membersThey built their reputation on fierce renditions of American-style R&B, which relied on a lean single guitar/bass/drums approach with the guitarist playing lead and rhythm, a rarity in England at the time. & the MG's, and Eddie Cochran, but also by one classic British act, Johnny Kidd & the Pirates, who rocked the British charts with an original called "Shakin' All Over" (which Townshend and company added to their set list). The group's sound evolved rapidly, influenced not only by American acts such as James Brown, Booker T. By the end of the year, Townshend had joined as a rhythm guitarist, and in 1963 Daltrey became the band's lead vocalist after Colin Dawson left. By the early '60s, the pair had formed a rock & roll band, but in 1962 Entwistle joined the Detours, a hard-edged group featuring a sheet-metal worker named Roger Daltrey on lead guitar. In their early teens, they played in a Dixieland band, with Entwistle on trumpet and Townshend on banjo. Townshend and Entwistle met while attending high school in London's Shepherd's Bush area. Following Entwistle's death in 2002, Townshend and Daltrey carried the Who's legacy well into the 21st century and even released their eponymous 12th album in 2019. The Who settled into their role as arena rockers in the mid-'70s, continuing on this path after Moon's death in 1978, following it through various disbandments into the '80s and '90s. They wanted to play hard rock instead of Townshend's textured song suites and vulnerable pop tunes. However, the rest of the Who, especially Entwistle and Daltrey, weren't always eager to follow his musical explorations. He was regarded as one of the era's finest British songwriters "The Kids Are Alright" and "My Generation" became teenage anthems, while the rock opera Tommy earned respect from mainstream music critics. The band thrived on this sound in concert, but on record they were a different proposition: Townshend pushed the group toward new sonic territory, incorporating pop art and conceptual extended musical pieces into the group's style. Unlike most rock bands, the Who based their rhythm on Townshend's guitar, letting Moon and Entwistle improvise wildly over his foundation while Daltrey belted out his vocals. They exploded conventional rock and R&B structures with Townshend's furious guitar chords, Entwistle's hyperactive basslines, and Moon's vigorous, seemingly chaotic drumming. Key figures of the British Invasion, the mid-'60s mod movement, and '70s arena rock, the Who were an undeniably powerful sonic force.
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